In 1948, the novelist Richard Wright teamed up with Argentinian director Pierre Chenal to film an adaptation of Wright's controversial bestseller NATIVE SON. The resulting film is one of the rare examples of classic-era "black noir". Upon its release, NATIVE SON was cut up by censors who were afraid of the racial and political message. For many years the original uncut version of the film was assumed to be lost.
In recent years, however, a surviving print has been found and NATIVE SON is coming back to life. I got a chance to talk to one of the architects of this resurrection, scholar Edgardo Krebs.
Check out our interview here.