I've been commissioned to write a piece on the film adaptations of one of my favorite authors, Georges Simenon. This is exciting because it gives me a reason to go back to one of noir's deepest wells. The romans durs of Simenon are some of the richest works of the 20th century--tight, muscular stories that move rapidly and yet often tell stories of loneliness and sadness, isolation and despair.
The impetus for this piece on Simenon's film adaptions is the recent re-release of Julian Duvivier's PANIQUE, the 1946 movie version of Simenon's 1933 THE ENGAGEMENT OF MISTER HIRE.
While I've got Simenon on the brain, I thought I would link to a fun photo essay over on Crime Fiction Lover. "Maigret's Paris" is a look at the locations that inspired Simenon's most famous creation, the police commissioner Jules Maigret. Simenon's Paris is one of crime fiction's richest locations, like Chandler's Los Angeles or Doyle's London. Check out the photo essay, and see if it doesn't make you want to curl up with one of the good detective's adventures.
Maigret is a quiet creation, not as flashy as Marlowe or Holmes, perhaps, but no less endearing. For me, though, the real Simenon is found in the "psychological novels" like THE ENGAGEMENT OF MISTER HIRE, a book about a lonely scam artist who becomes the focus of a murder investigation. It's a tragedy, as so many of Simenon's books are, but it's also got humor (even farce) and moves like a locomotive.
That's all for now. I'm off to dive back in.
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