ONE-EYED JACKS came out in 1961 and effectively ruined
Marlon Brando. He’d come to the project as an actor and a producer,
prepped it for six months with Stanley Kubrick, and took over the
director’s chair when, after a long souring of relations between the two
men, Kubrick reportedly left the production with the words, “Go fuck
yourself, Marlon.”
Brando went over schedule and over budget and delivered a film that the
studio considered unreleasable: a three-plus hour downbeat Western with
sporadic violence, complex characterizations, and a tragic ending. The
film went through reshoots and extensive editing before it was released
to middling business. Brando never directed another film, and his
performances after this one became increasingly scattershot. Though he
had artistic triumphs still to come (THE GODFATHER, LAST TANGO IN PARIS), as author/director Peter Bogdanovich later observed “ONE-EYED JACKS was perhaps the last time Brando acted out of a true commitment and uncynical passion for the material.”
Read my essay on the film over at Criminal Element.
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